SOMEDAY
Written by Mariah Carey and Ben Margulies
Produced by Ric Wake
Arranged by Mariah Carey, Ben Marguiles and Chris Toland
[The Inside Story Behind "Someday"]


You were so blind to let me go
You had it all but didn't know
No one you'll ever find will be
Closer to all your dreams than me

Believing the grass would be greener
You told yourself I just don't need her now
But I know you'll soon discover
You're never satisfied with any other

Someday, someday
One you gave away will be
The only one you're wishing for
Someday hey hey
Boy you're gonna pay 'cause baby
I'm the one who's keeping score

You'll change your mind and call my name
Soon as you find they're all the same
And when you find yourself alone
Don't come back crying
You should have known

Believe me I'm not pretending
It's not hard to predict
This ending now
'Cause I know you'll soon discover
You're needing me in spite of all the others

Someday, someday
One you gave away will be
The only one you're wishing for
Someday hey hey
Boy you're gonna pay 'cause baby
I'm the one who's keeping score

Maybe now you just can't conceive
That there'll ever come a time
When you're cold and lonely
Baby, how could you ever believe
That another could replace me
The one and only
But when you're down
In your time of need
And you're thinking that you
Might be coming back to own me
Just think again cause
I won't need your love anymore!

Someday, someday
One you gave away will be
The only one you're wishing for
Someday hey hey
Boy you're gonna pay 'cause baby
I'm the one who's keeping score




The Inside Story Behind "Someday"


"Someday" was the third single released from Mariah Carey's debut album, and the third single to go to number one. "That started out as a bass line, sort of a drum-machine, almost hip-hop type groove," says co-writer Ben Marguiles. "Now people call is new jack swing, but that stuff was going on before all these terms came about. It evolved out of an improvisational track with some very strong changes and a very harmonic structure. Mariah has an ability to improvise vocally and come up with great melody lines, great hooks. We generally work on a chorus first, but she would sing melody ideas through the verse sections and it came about that way."

Marguiles explains how fast Mariah came up with the words: "In the amount of time I would be playing around with the arrangement and coming up with some new change or something like that, she'd be sitting there writing out lyrics, then we'd demo it. I mean, we'd start turning the tape machine on, turning the computers on, and just start doing it."

"Someday" was one of four songs that Marguiles and Carey included on the singer's demo tape. "All the demos that ended up going to CBS were very elaborate arrangements," Ben notes. "They were very close to what's on the albums, if not almost exactly."

Tommy Mottola of CBS Records asked Anglo-American producer Ric Wake, who had been working with Arista artist Taylor Dayne, to listen to Mariah Carey's demo. "It was obvious that she was great - she was amazing," says Wake, who met with Mottola on a Wednesday. The CBS Records Group president asked Wake if he could start working with Mariah in Thursday. "Mariah came over to my house the next day, we wrote 'There's Got To Be A Way,' and it went from there - we did four songs together."

One of the tracks that Wake produced was "Someday." "I loved that song right from the beginning," he acknowledges. "Tommy gave me a tape of 12 songs, and at the time, I think someone else was going to do it. It was up in the air, and Mariah called me up one day and said, 'I'd love you to do it if you want to do it.' It was great - I'm glad she called me.

"I remember the way that demo was; I wasn't sure how she wanted to do it...We did it in about two, three hours."

Marguiles liked the final version of their song "because it came off really simple and clean, and the point came across. Nothing was covered up. The original arrangement and production were very simple and funky. It had a simplicity to it that kind of drew you into it. To take it and make it too much of a production would have ruined the vibe of the song."

When she was first signed to Columbia, Mariah wanted to produce the album herself with Marguiles. "I wasn't open to working with a superstar producer," she said in Rolling Stone. Ben elaborates: "You have your ideas and your creations, and sometimes it's difficult. You're seeing your songs come to fruition, but at the same time, you want to have a say in how your babies turn out. These things start out like the nucleus of the embry of an idea. You sit down and start playing, improvising, and it comes to the point where it turns into a good demo; then you want to hear it. If you're a strong musician, or you're inclined to produce and arrange all that stuff, sometimes it's hard to hand over your creations like that. But it's inevitably what always happens, and you hope that people handle them with care."

"Someday" entered the Billboard Hot 100 at number 37 on January 19, 1991. Seven weeks later, Mariah Carey knocked Whitney Houston's "All The Man That I Need" off the top of the chart and moved in for a two-week stay.


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